biopict

Kristin Prevallet, a Denver native, is an interdisciplinary conceptual poet, performer, educator, and holistic practitioner. She creates cultural happenings with her books, retreats, and ritualistic events. Her work is deeply informed by the semantics of sacred geometry, somatic healing, innovative poetics, and conceptual art.

She is the author of eight books and numerous chapbooks including Everywhere Here and in Brooklyn (Belladonna Collaborative, 2012), I, Afterlife: Essay in Mourning Time (Essay Press, 2007), and Shadow, Evidence, Intelligence (Factory School, 2007). Her work has appeared in numerous anthologies including The Body In Language (edited by Edwin Torres, Counterpath Press, 2019), I’ll Drown My Book: Conceptual Writing By Women (Les Figues Press), and Women Poets on Mentorship (Iowa Press.) For her graduate work at the University at Buffalo she catalogued the archive of the poet Helen Adam, and edited a volume of her work, A Helen Adam Reader, published by the National Poetry Foundation. Her work has been featured in Guernica Magazine, The Boston Review, The New Republic, Spoon River Review, The New Republic, and The Chicago Review, to name a few.

Prevallet has given lectures and presented her work nationally and abroad, in France, England, Mexico, and Myanmar. She has received fellowships from the New York Foundation for the Arts and the PEN translation Fund, Poets and Writers, The Millay Colony and has recently been invited as a visiting writer to perform and teach at Naropa University, The New School, Spalding University, and the Centre International de Poésie Marseille.

Aside from poetry, she has published two books about the connections between the body, healing, and language: Trance Poetics and Visualize Comfort: Healing and the Unconscious Mind.

She is currently working on a conceptual memoir, The Grey Book, that interrogates the genre of Romance and the rescue fantasies that perpetuate the illusion machine of capitalism.